I am a theatre-based visual artist and professional puppeteer, currently working at the Budapest Puppet Theatre.
My practice is rooted in contemporary puppetry and theatre, and expands into stage and costume design, visual design, fine art installations, and moving image. I hold a degree in puppet acting from the University of Theatre and Film Arts in Budapest, and I continuously develop my work through experimentation with form, scale, and performative structures.
Alongside my theatre practice, I direct music videos and visual film projects. I studied music video directing at the Moholy-Nagy University of Art and Design (MOME), which strongly shaped my approach to visual language, rhythm, and composition. I regularly collaborate across theatre, opera, and performance contexts, where visual thinking and dramaturgy meet.
In recent years, my focus has shifted toward inflatable puppets and performative installations. Through these works, I explore collective manipulation, audience perception, and the fragile relationship between body, object, and space. I am particularly interested in situations where theatrical presence, material experimentation, and public interaction overlap.
I am a theatre-based visual artist and professional puppeteer, currently working at the Budapest Puppet Theatre.
My practice is rooted in contemporary puppetry and theatre, and expands into stage and costume design, visual design, fine art installations, and moving image. I hold a degree in puppet acting from the University of Theatre and Film Arts in Budapest, and I continuously develop my work through experimentation with form, scale, and performative structures.
Alongside my theatre practice, I direct music videos and visual film projects. I studied music video directing at the Moholy-Nagy University of Art and Design (MOME), which strongly shaped my approach to visual language, rhythm, and composition. I regularly collaborate across theatre, opera, and performance contexts, where visual thinking and dramaturgy meet.
In recent years, my focus has shifted toward inflatable puppets and performative installations. Through these works, I explore collective manipulation, audience perception, and the fragile relationship between body, object, and space. I am particularly interested in situations where theatrical presence, material experimentation, and public interaction overlap.
